DOI: https://doi.org/10.31500/2309-8813.13.2018.152242

Is there a time for Alice Guy?

Marie Kondrat

Анотація


The resurgence of critical interest, that has surfaced over the past fifteen years, in the work of Alice Guy aims to re-inscribe, evaluate and legitimize her role in the history of cinema. Raising important questions about filmmaking, globalization and gender issues, Alice Guy’s movies have long time withstood any form of classification. Considering this hypothesis in a double perspective of erasing and of rewriting film history, the paper provides a close analysis of three silent films directed by Alice Guy in 1912–1913. Thus, the relation of shot composition and narrative, active intervention and irruption of outside elements are taken up in detail.


Ключові слова


Alice Guy filmography; early silent cinema; film history; first filmmakers; narrative; Solax studios

Повний текст:

PDF (English)

Посилання


Agamben G. «What Is the Contemporary?» // What Is an Apparatus? Stanford: Stanford University Press, 2009.

Bachy V. Alice Guy-Blanché (1873–1968). La première femme cinéaste du monde // Collection des Cahiers de la cinémathèque. Perpignan: Institut Jean Vigo, 1993.

Bazin A. The Ontology of the Photographic Image // Film Quarterly, 1960. # 13 (4). p. 4–9.

Boggs F. Guy-Blache A. Norman G. Pathe Studios. American Éclair. Seven silent films lost for a century [DVD and Brocure] // Burlington, NC: Native Intelligence, 2012.

Chocron D. Alice Guy, Pionnière du cinéma // Paris: Le Jardin d’essai, 2013.

Comolli J.-L. Cinéma contre spectacle // Lagrasse: Verdier, 2009.

Deleuze G. «Causes et raisons des îles désertes» // L’Ile déserte et autres textes (1953–1974). Paris: Les Editions de Minuit, 2002. p. 11–17.

Gianati M. Alice Guy a-t-elle existé? // Conférence à la Cinémathèque française, 4 juin 2010.

Guy A. A house divided. Print 16mm, 1913 // Harvard Film Archive Item # 29484.

Guy A. Falling Leaves. 1912. // More Treasures from American Film Archives (1894–1931). 3-DVD box set, with 200-page book. Film notes by Simmon S. Music notes by Marks M. San Francisco, CA: National Film Preservation Foundation, 2004. Harvard Film Archive Item # 710.

Guy A. The girl in the arm chair. Print 16mm, 1912 // Harvard Film Archive Item # 29490.

Guy A. The Memoirs of Alice Guy Blanché. Translated by Roberta and Simone Blanché. Edited by Anthony Slide. // Metuchen, N.J, & London: The Scarecrow Press, 1986.

Lacassin F. Pour une contre-histoire du cinéma // Institut Lumière. Arles: Actes Sud, 1994.

Musée d’Orsay. L’Univers d’Alice Guy. 27–29 mai 2011 // http://www.musee-orsay.fr/fr/evenements/cinema/presentation-generale/article/alice-guy27028.html?tx_ttnews%5BbackPid

Panofsky E. Perspective as Symbolic Form. Translated by Christopher S. Wood // New York: Zone Books, 1991.

Simon J. (edited by). Gaines J. et al. Alice Guy-Blanché, Cinema Pioneer // Whitney Museum. New Heaven: Yale University Press, 2009.

Whitney Museum of American Art. Alice Guy Blanché: Cinema Pioneer. Exhibition and retrospective, November 6, 2009–January 24, 2010.


Пристатейна бібліографія ГОСТ






ISSN: 2309-8813 (Print), e-ISSN: 2663-0362